Craft Confusion

When is the term ‘craft’ authentic and when is it marketing hype?

Craft StillThe spirits industry has seen amazing growth of craft distillers and brands. The Distilled Spirits Council of the US (DISCUS) has reported that there are nearly 730 “small” distilleries producing 3.5 million cases in 2014 (up from 700,000 in 2010) and with revenues of nearly half a billion dollars.

This craft spirits development is here to stay based on a number of factors including the interest in whiskies of all types; consumer trends regarding connoisseurship, craftsmanship and artisanal products in general; the focus on ingredients, process, and the distiller; and, attention to what’s in the bottle.

There are other forces at play here, particularly the rejection of mass-produced products in favor of small batches and hand crafted. A phenomenon affecting all consumer businesses from packaged goods to durables.

So it’s not surprising that the power of the words, “craft” “handmade” “small batch” would be adopted by large brands and used despite the intent of these words. When a brand sells hundreds of thousands or millions of cases, one needs to wonder whether the use of these words is marketing hype (as in “smooth”) or outright fraud. At the same time, there are also small distillers jumping on the bandwagon without the real credentials.

The lawsuits

The best and most succinct coverage of what is going on is to be found in the Feb 16, 2015 edition of Wine & Spirits Daily, under the headline, Truth Squad Discusses Transparency in Labeling Lawsuits. The “Truth Squad” is a panel of WSD readers (manufacturers and wholesalers) who express their professional views on a range of issues affecting the wine and spirits businesses.

There are a number of cases involving court action related to labeling:

  1. Templeton Rye was sued for claiming it was made in Templeton, Iowa when in fact it is made in a large multi-brand distillery. The implication was that the brand was a small batch product. They have since revised their label.
  2. Tito’s Vodka is being sued in California and Florida for the label claim that it is handmade as in, Tito’s Handmade Vodka. At roughly a million cases, how can you call yourself handmade? Unless, of course, you count turning on
    Tito's label
    Tito’s label

    the lights as part of the process.

  3. Maker’s Mark is also being sued for claims related to “handmade.” According to USA Today, “The lawsuit…accused the distillery of deceptive advertising and business practices with its “handmade” promotion on the labels of its bottles, known for their distinctive red-wax seal.” I know that they hand dip each bottle in the wax but can you totally hand make 1.3 million cases?
Maker's Mark
Maker’s Mark

Don’t get me wrong… I think these are outstanding, well-made products. I’m a fan of each of them but the words in question are not marketing hype words like “smooth” or “premium.” To many people, the misuse of these words appears to be deceitful.

Enter the Truth Squad

One member thinks too much is being made of this issue and suggests that the consumer doesn’t know or care. Maybe. But, how about the genuine small batch or craft distiller who has invested their life savings in a distillery and whose livelihood depends on it?

Another view was that it’s the lawyers “who make a fortune” with spurious lawsuits that are behind it all. Perhaps. People who are looking for the real deal deserve not to be cheated with misleading claims. And, if the regulatory people won’t deal with it, then the courts should.

A distributor executive put it nicely when he/she said,

“I think that the average consumer feels better about purchasing something with the perceived or real support to a small company, and dislike it when they find out it’s just part of a huge corporation. It would be…like someone buying… produce at a big box store, and then taking it to the Farmer’s Market on a Saturday wearing overalls, and making money on the perception that they are a farmer.”

What’s the answer?

Simply put, there needs to be a standard by which those using of the word ‘craft’ (and related phrases) are held accountable. Don’t expect the alcohol governing body (TTB) to do it. Even if they were so inclined, they don’t have the resources to police these types of label claims. For the same reasons, forget about the Federal Trade Commission.

I think the craft distillers associations like American Distilling Institute or American Craft Spirits Association should tackle this but, for whatever reason, seem to be disinclined to take a stand.

But, a fledgling craft organization seems more than willing to provide a solution.

Robert Lehrman, an alcohol industry attorney (Lehrman Beverage Law) together with a number of craft distillers has formed the Craft Beverage Association and its mission is to tackle this subject. This is from their (in development) website:

The Association was formed to try to find a way to set standards for the seemingly simple, yet hitherto amorphous and elusive — but fundamentally important term: craft.”

What they have in mind is analogous to the Good Housekeeping Seal of Approval or the Certified Organic Label. Their mission is: “To set craft standards for beer, wine and spirits, in a fair, modern, flexible, enforceable way, so the term can be filled with meaning and saved from abuse, for the benefit of consumers and craft beverage producers everywhere.

*     *     *

There’s a major shift occurring in the beer and spirits industries and it’s called craft and/or handmade and/or small batch. Large manufacturers have lots of options as to how to deal with this growing consumer interest. They can ignore it and present the merits of their brands as is. They can attack it, like Budweiser’s advertising. Or, they can buy legitimate craft-made brands, then screw it up, again like Budweiser. But to co-opt or misuse these terms is just plain wrong.

I prefer the industry to clean its own house but, until then, I guess we’ll continue to make the lawyers rich.

 

Handcrafted Sorel --  Jack From Brooklyn.
Handcrafted Sorel — Jack From Brooklyn.
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Last Drop Distillers

Old Whisky, New Management

Last Drop Distillers products
Last Drop Distillers’ current products

At the 21st Annual Whisky Advocate Awards, The Last Drop 50 Year Old Blended Scotch Whisky was awarded the highly prestigious Whisky Advocate’s Blended Whisky of the Year 2014.

It’s a remarkable product from a unique and equally remarkable company. I’ve blogged about the company a number of times but only in reference to James Espey, one of the founders. I think you’ll find the full story very interesting, particularly since the day-to-day management of The Last Drop Distillers (LDD) has been handed over to the daughters of two of the founders.

How it began

In 2008, three partners with a proven track record of producing incredible spirits brands (Johnnie Walker Blue Label, Chivas Regal 18 Year Old, The Classic Malts, Malibu and Baileys Irish Cream) decided to pool their skills to create one last amazing brand. So, James Espey, Tom Jago and Peter Fleck founded the company whose single-minded goal was to find and bottle rare and exclusive spirits.

Award winning Last Drop 50 year old
Award winning Last Drop 50 year old

For instance, The Last Drop 50 year old (50.9% AbV, $4,000) is based on the discovery of three overlooked casks that had been distilled between the 1940s and 1950s and sold throughout the 1970s. But somehow these casks were ignored or forgotten about until Espey and Jago came along and further aged them.

The result was twofold. The whisky was extraordinary and described by reviewers as “epic.” Further, they realized they were on to something and have produced a 1960 Scotch and a 1950 Cognac. Other last drop variants are in the works.

New management

As you can imagine, precious and rare spirits, not to mention expensive, require a full time commitment for sales and marketing. As a result, the management torch has been passed to two brilliant offspring of the founders.

Carolin (Beanie) Espey
Carolin (Beanie) Espey

Caroline (Beanie) Espey (daughter of James Espey) is Sales and Marketing Director and comes with a strong global background as well as expertise in very top shelf brands. Following a degree in modern languages at Oxford University, Beanie has worked for luxury brands Chanel and L’Oreal before starting her own business – a Marketing agency run jointly from London and Hong Kong.

Rebecca+Jago.jpeg
Rebecca Jago

Rebecca Jago (daughter of Tom Jago) is Creative Director. Following a degree in Linguistics and time with some of London’s leading design agencies, Rebecca has been running her own small design agency for the last 25 years. Somewhat unusual for a creative director inasmuch as Rebecca’s creativity extends both to design and product.

What makes The Last Drop unique?

There are many very expensive whiskies on the market selling for four, five, even six figures. (Here is an interesting list.) The scotch whiskies on the list are mainly single malts and available in either glitzy or straightforward packaging. What I love about The Last Drop products is that it is about the liquid, not the packaging. If your motivation is ostentation, then you probably gravitate toward elaborate packaging that shows your “good taste” regardless of the quality of the scotch.

Also, the list consists mainly of single malts except for Last Drop Distillers 1960 Blend and Johnnie Walker Blue 200th Anniversary Blend. While I love single malts, there is nothing like a carefully blended scotch, particularly with ancient stocks. For me, that’s the epitome of the scotch maker’s craft.

Add to that a family run business consisting of old school/new school spirits industry connoisseurs and the results are products worth buying.

Of course, that’s only as long as the stock lasts. But, if I know the Espeys and Jagos, more discoveries are on the way.

IMG_3547
The Last Drop team

 

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Follow up: The Captain Morgan Story

Things I overlooked

captmorgan label
Lots of different labels over the years. Note the prominence of Puerto Rico as the origin of the rum.

Booze Business is about to become five years old and throughout that time, no story or posting has elicited as much comment as last week. From emails to comments to the Booze Business Facebook Page to LinkedIn, the story has generated interest, memories and opinions.

Some of the feedback pointed out a few aspects that I missed. So, here are some additional elements to the story.

The People Behind the Brand

I referenced Alan Feldman and Sam Ellias, partly because of their role in launching the brand and partly because of the insights they provided when I interviewed them. But I didn’t set out to provide a list of all those who made it happen in the beginning. The story was about all the people at Calvert who defied the odds and overcame the negative expectation to make this brand happen.

If I had set out to provide awards or recognition, I certainly would have mentioned Marty Bart and Shelly Katz who ran the company and its sales team. For that matter, I should have mentioned, by name, all the people who worked long and hard in bars and stores. But this was about people collectively rising to an event.

The Legal Aspect

Before Captain Morgan came along the designation for such products by the BATF (the regulatory body at the time) required that if a brand was not “Rum” it had to be designated “Rum Liqueur” or “Flavored Rum.” The development team insisted that the legal folks push the BATF with the “Spiced” designation and to everyone’s surprise it went through. That designation, “Captain Morgan Original Spiced Rum”, meant that the flavor description could be used in place of “Flavored.”

Had the new products team backed away, the allure of “Spiced” would not have happened and Captain Morgan would have gone to the Seagram new products graveyard. To their credit, the legal department, despite their misgivings, agreed to try and the rest is history.

So, add interdisciplinary teamwork to the mix.

Peach

I left out an important subplot from the early days of Captain Morgan – a line extension that failed.

Along about the mid 1980s, a new cocktail emerged that swept the country. It was called the Fuzzy Navel and was invented by Ray Foley, a world-class bartender and founder of Bartender Magazine. The key ingredient was DeKuyper Peachtree Schnapps. By about 1985/6 the suggestion was made by the owner to introduce Captain Morgan Peach Rum to capitalize on the Fuzzy Navel phenomenon. Bad idea.

Here was this swashbuckling, rogue pirate who came to life at drink nights in bars with trinkets (plunder) and his famous Morganettes — attractive, sexy and charming. Would this character be seen drinking peach rum? Much less be the purveyor of such a product?

Nevertheless, the owner insisted that this line extension be introduced. I don’t know who it was, but someone mustered up enough courage to suggest a test market before national rollout. To his credit, the owner saw the wisdom in the suggestion and agreed.

Leaving the image issue aside, the product had formulation problems and curdled on shelves in at least one market, Indiana.

Good thing it failed. It meant that ridiculous line extensions could wait for the current owner.

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